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‘Come Away’ Shows Hollywood at Its Most Manipulative

Movie advertising could be a brutal activity, made worse by the movies themselves.

“Come Away” gives a first-rate instance. The movie piggybacks on not one however two beloved kids’s tales however feels as grim because the darkest Afterschool Special.

  • Drinking
  • Gambling
  • Death
  • Torture

Are we having enjoyable but?

More importantly, simply who’s “Come Away” supposed to achieve? Don’t consider the whimsical trailer, that’s for certain.

Jack and Rose (David Oyelowo and Angelina Jolie) have three stunning kids (Kera Chansa, Jordan A. Nash, Reece Yates) who dwell to romp round their yard, misplaced in imaginative play. Their household dynamic, alas, is something however playful. Jack has a playing drawback and Rose numbs her ache with alcohol. 

Cheery, proper? It will get worse.

Death stalks the storyline, so does debt and despair. These poor kids are anticipated to not simply survive however probably save the day in opposition to probably the most daunting of odds. Meanwhile, the story awkwardly shoehorns not one however two mental properties into the combination — “Peter Pan” and “Alice in Wonderland.”

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If you’re pondering, “what?” “how?” or “who?” you’re in nice firm.

Marissa Kate Goodhill’s screenplay, a soggy affair at greatest, strains to include the traditional tales into “Come Away’s” DNA. The movie begins with the form of generic storytelling discovered within the worst faith-based movies. From there we get attractive cinematography and the trace of one thing wondrous lurking across the cinematic nook.

It by no means arrives.

Hollywood is obsessive about teasing out franchises and traditional properties alike. At instances these pursuits hit inventive pay grime. Consider NBC’s glorious “Hannibal” sequence, or the prequel saga “Bates Motel.”

YouTube Video

Here, the natural spark discovered within the works of J.M. Barrie and Lewis Carroll is generally lacking. What’s left is a advertising hook, one thing audiences can suss out a mile away.

“Come Away” stumbles with even the essential particulars. Our Jack is a grasp craftsman, constructing delicate boat fashions for the higher class. We’re always advised he’s beneath his prospects, from a societal viewpoint, however we see little proof of that.

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Anna Chancellor will get copious display time as an aunt making an attempt to rework Chansa’s Alice right into a nice younger girl, however her character’s inconsistencies show her undoing.

FAST FACT: Charles L. Dodgson penned traditional tales like “Alice’s Adventures in Wonderland” and “Through the Looking Glass” below the pen identify Lewis Carroll.

Old execs like Michael Caine and Derek Jacobi provide a dollop of gravitas, however they aren’t round lengthy sufficient to matter. Poor Jolie is given little to do as effectively regardless of her considerably bigger position. Even a primary act marital battle offers little dramatic heft.

Some of the set design is transparently faux, however not in any means that makes issues look extra imaginative.

The movie’s rating strains, and strains, to make us really feel one thing, something, however good luck with that. By the ultimate moments you’ll marvel what traditional literature Hollywood will repurpose subsequent, and if it’ll be as ill-conceived as “Come Away.”

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HiT or Miss: “Come Away” is a tragic try and play off two beloved tales, lifting key particulars from every with out the center, and the timelessness, they signify.

The submit ‘Come Away’ Shows Hollywood at Its Most Manipulative appeared first on Hollywood in Toto.

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