There’s lastly a brand new guide to placed on the cinematic shelf subsequent to “The Babadook.”
Naturally, it’s a cyber-edition, one discovered on tablets and good telephones however mimicking that film’s literary frights.
“Come Play” follows an Autistic lad who discovers a creepy kids’s guide lurking on his pill. That uncorks a refined, if meandering shocker that’s clear sufficient for the teenager set however barely memorable. Still, the movie ends with a double whammy — an surprising shock that factors to a mom’s unconditional love.
That’s not your common horror film takeaway, however in most different respects “Come Play” adheres to the usual style tropes.
Wide-eyed Oliver (Azhy Robertson) struggles to make buddies in school however feels far safer at dwelling. He is Autistic and can’t communicate, that means he depends on tech devices to speak with others. His doting Ma (Gillian Jacobs, “Community”) showers him with love whereas the boy’s father (John Gallagher Jr.) is busy working and taking part in with the boy.
That rigidity, finely choreographed at first however shortly deserted, suggests the wedding is in bother. That appears much less vital as soon as poor Oliver begins flipping the cyber-pages of a guide that seems on his pill. The story follows an emaciated ghoul named Larry (psychological notice: The least scary identify for a film monster … ever) determined to make a good friend.
Larry thinks Oliver could be his buddy, a lot to his mother and father’ chagrin. Always hearken to your mother and father, youngsters.
Azhy Robertson connects with one thing … unsettling … throughout a intelligent sequence in Come Play.
“Come Play” strikes a creepy notice early within the movie however can’t fairly let it go. The lights flicker and burn out at any time when Larry approaches. Writer/director Jacob Chase repeats that scare tactic to a laughable diploma, a part of the movie’s intellectually lazy mapping.
Yes, it’s one other horror film the place characters both behave in a silly trend or piece clues collectively in file time, all relying on what the script calls for at a given second. Your eyes will roll, and roll, when a trio of college bullies drops by Oliver’s home for a play date.
Come on … actually?
While the ’80s gave us horror movies marked by frighteningly dangerous performances, “Come Play” packs sturdy turns throughout. Young Robertson holds all of it collectively, capturing a toddler’s curiosity in addition to his want to attach with somebody, anybody, to interrupt his loneliness. Still, the style tropes that repeatedly creep in make the chills simple to identify, if not predict of their entirety.
The ultimate act affords modest rewards, but it surely’s the 2 grace notes that cap the story that catch us flat-footed. No spoilers right here, however the one-two punch is each refreshing and uncommon. If solely the remainder of the movie packed such sneaky surprises.
HiT or Miss: “Come Play” affords PG:13-level shocks, advantageous performances and nothing scary sufficient to recollect as soon as the tip credit roll.
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