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How ‘Man in the High Castle’ Predicted Our Cancel Culture Age

“The reason behind residing previously is dying proper in entrance of us.” — Rhett Butler, “Gone With The Wind”

So says Rhett Butler, the dashing and cavalier main man of the Civil War epic, because the antebellum South crumbles round him underneath a barrage of Union cannon fireplace.

It’s a becoming line, as a result of the 1939 movie has been coming underneath fireplace for its benign depiction of chattel slavery. Ignoring the truth that the movie is a product of its time, and betraying its lack of religion within the intelligence of its viewers, HBO Max determined to tug the movie from its platform as a part of the corporate-driven Black Lives Matter consciousness marketing campaign.

HBO Max reinstated the movie with an introductory disclaimer. Fair sufficient.

But it’s not simply concerning the movie. Unless you’ve been residing underneath a rock the previous couple of weeks, sanguinary mobs are presently flattening statues of males who formed the world we stay in in the present day. Our historical past is being effaced with out a lot of a struggle, as a result of the bludgeon of racism is wielded successfully towards anybody who would resist.

Three years in the past, the identical mob went after statues of males like Robert E. Lee, the Confederate General who was petitioned by Lincoln to struggle for the North, however ended up obeying his loyalty to the state of Virginia, his house.

Loyalty to at least one’s homeland regardless of its flaws is an alien idea lately, however was effectively understood and revered within the time of Lee and Lincoln.

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That stated, most cheap folks lately can perceive the need to take away Confederate statues, even when they finally disagree with such motion. These depictions symbolize disunity, failure, and, above all, help for the sin of slavery.

Most importantly, statues appear to glorify moderately than merely educate.

But it was by no means going to cease there, and many people stated so all alongside. Fast ahead three years, and the rapacious mob is flattening statues of George Washington, Ulysses Grant and Abraham Lincoln – the President who ended slavery. They’ve even begun calling for the toppling of statues and icons depicting Jesus Christ as something resembling Caucasian.

King tweeted that it was time to tear down the statues of Jesus Christ that present him as a Caucasian male as a result of it promotes “white supremacy” https://t.co/iQH1uvr88ok

— NewsRadio WFLA 🇺🇸 (@WFLANews) June 23, 2020

I might get into the forwards and backwards on this, and why all that is silly, however that’s past the scope of this text.

The in need of it’s: we’re within the midst of a Cultural Revolution. There isn’t any denying it. Forget any notion of natural protest spontaneously erupting after the demise of a black man underneath a white cop’s knee. It’s gone method past that now. The demise of George Floyd was merely the catalyst the social engineers have been ready for, very like the 1914 assassination of Archduke Franz Ferdinand was seized upon as a becoming pretext by forces itching for battle.

“Cultural Revolution.” The time period fails to adequately talk the harmful nature of what it actually means. Nor do the enemies of such a revolution actually perceive the important significance of tradition to the survival of civilization. This is by design, lest they take up arms on the first whiff of subversion.

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None of that is new. Several societies have suffered cultural revolutions. France, Germany, North Korea, Russia, China, Cambodia… Most don’t survive.

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In 1966, after Chairman Mao’s ‘Great Leap Forward’ proved an enormous failure in China, the Communist Supreme Leader initiated a Cultural Revolution with the said goal to “destroy the Four Olds”: Old Customs, Old Culture, Old Habits, and Old Ideas.

The purpose was to sever the folks’s connection to their historical past, their land, their id. Like the primary iteration of Communism laid down by Marx and put into motion by Lenin, Mao’s model was drenched within the rhetoric of sophistication wrestle. The Chinese Cultural Revolution started with the renaming of main streets to “empower the working class.”

Soon, mobs started harassing artists, intellectuals and landlords, subjecting them to ‘wrestle periods’ the place they have been publicly humiliated (and throughout the later fever-pitch stage, tortured and killed). Massive posters bearing propaganda slogans have been hung from nearly each constructing. Snitches have been ubiquitous, costing folks their jobs and tearing households aside.

Sounds acquainted, doesn’t it?

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It didn’t cease there. Paintings, books, classical structure and historic temples have been additionally desecrated and destroyed. The Communist mob even dug up outdated corpses to denounce and burn in public. Families’ family tree books have been seized and tossed within the fireplace.

Again, the purpose of a cultural revolution is to sever folks from their historical past and instill a brand new collective id. It erases historical past and resets the calendar to Year Zero.

Let the previous die. Kill it, if it’s important to. — Kylo Ren, The Last Jedi

We are seeing all this happen in our personal society. Confused and directionless youngsters are given a trigger to really feel vital for, and are inspired by media each social and mainstream to sever ties with their households.

People are actually publicly shamed and compelled to apologize for his or her ‘white privilege.’ Some even lose their jobs, or have their private info revealed on-line. Our language is policed to a debilitating and dehumanizing diploma.

In Washington DC, part of 16th Street NW has been renamed by its mayor to ‘Black Lives Matter Plaza,’ a symbolic gesture that has been repeated in many alternative cities all through the United States and different international locations.

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You see, class wrestle isn’t a pointy sufficient wedge for the Communists to make use of in a rustic well-known for its financial liberty and social mobility. What labored in Russia and China didn’t work in Western nations.

Instead, they discovered one thing much more highly effective: id. By whipping up racial and sexual grievances, the Marxists embedded within the main establishments have been capable of leverage id to such an astonishingly efficient diploma that there actually shouldn’t be any shock to the occasions of the previous few weeks.

To anybody with a cursory data of historical past, these riots and violent acts of subversion conjure up photos of Nazis burning books and wrecking Jewish retailers throughout Kristallnacht – a grim omen of the horror that was to return, just like how the Chinese Cultural Revolution supplied ethical license for mass homicide down the street.

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Socialism, whether or not nationwide (Nazi) or worldwide (Communist), at all times walks this similar path.

Like HBO, Hitler additionally banned “Gone With The Wind” (the ebook). While he clearly didn’t care for a way slaves have been depicted, he did have an issue with the novel’s themes of rugged individualism and survivalism, little question exemplified by foremost character Scarlett O’Hara’s dogged loyalty to her land.

Hmmm.

Thankfully, the Nazis have been defeated in battle, their crimes dropped at gentle, and their ideology rightfully tarnished and despised by subsequent generations.

But what in the event that they’d received the battle?

That is the central premise of Amazon Prime’s tv sequence “The Man In The High Castle,” based mostly on legendary creator Philip Ok. Dick’s well-known novel. 

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The story takes place in another universe the place the Axis powers win the Second World War. The American West Coast falls underneath the rudimentary tyranny of the Japanese Pacific States, whereas the bigger Eastern portion is clenched within the high-tech iron grip of the Greater Nazi Reich.

It’s a worthwhile present, deftly unfolding a science fiction yarn inside the framework of a basic political thriller. It’s value trying out, however there’s one explicit subplot in Season Three that applies to our theme right here.

You see, to be able to root out the persistent vestiges of American resistance, the ruling Nazis devise a significant propaganda initiative to erase “pre-Reich American historical past.”

They name it Jahr Null. Year Zero.

Spearheaded by a Riefenstahl-like filmmaker, the Year Zero marketing campaign entails ritually destroying important American landmarks and changing them with forward-looking, progressive icons.

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Early in Season 3, there’s a brainstorming scene the place the chief creatives pitch an enthralled Heinrich Himmler (having changed Hitler as Führer) on the main points.

“It’s a makeover. A do-over, a facelift, a contemporary begin.”

A slide projector cycles by way of images of a number of landmarks slated for destruction: Mount Rushmore. The Liberty Bell. The Alamo.

“It’s a state of re-becoming, and it begins with the destruction of iconic landmarks of pre-Reich America.”

“First on the listing, a sentimental favourite. Which is exactly why she should be destroyed, schnell. Located, conveniently, proper right here in New York Harbor.”

The projector switches to a photograph of the Statue of Liberty.

Himmler’s eyes gentle up with demonic glee. And what’s to switch this American image of hope and liberty? A statue depicting Nazi youth: the Jahr Null era.

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Later on within the season, we witness the destruction of Lady Liberty as two fighter jets ceremonially topple the statue by firing missiles at it. Crowds cheer as its items sink into the Harbor. The occasion incites euphoric riots in New York City, with Nazi Youth roaming the streets chanting, “Blood and soil!”

When Himmler is knowledgeable that the riots are focusing on faculties and museums, he coolly responds: “This is the evening to precise their passions. Sometimes a purge is crucial.”

Further pressed by his advisors after a library is ready on fireplace, he says: “Let it burn. People must be reminded of who to concern.”

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Wow.

This is gorgeous as a result of we’re seeing this very dynamic play out on our personal streets in actual time. Mount Rushmore particularly has already been tagged as a monument worthy of destruction.

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It’s not a nightmarish fantasy ascribed to “zee eevil Nazis” operating America, however the sobering actuality of our current day.

“The Man In The High Castle” is startlingly prescient, however like a lot of Hollywood programming, it performs protection for the true tyrants.

By having the Nazis chant “blood and soil” whereas ransacking the streets, torching libraries and destroying statues, it shrewdly connects them to the alt-right white supremacists of our personal actuality, who went on their pathetic however extensively publicized tiki-torch march just a few years in the past.

Thing is, although, these tiki-torch losers maintain nowhere close to as a lot energy because the neo-Marxists of our personal day, however the present (similar to the media) needs you to concern them above all else.

In actuality, it’s the neo-Marxists of Antifa, Black Lives Matter and their highly effective company sponsors who’re banning books and films, getting folks fired, ordering ritual humiliations, torching church buildings, flattening statues and ransacking streets. It’s the neo-Marxists who wish to condemn and erase our historical past underneath the mockingbird justification of ‘systemic racism.’

But the place are the flicks, TV reveals and information items highlighting the mortal hazard of a Communist rebellion?

Well… Amazon, producer and distributor of “The Man In The High Castle,” banned my very own movie “Hoaxed” (co-directed by Scooter Downey and produced by Mike Cernovich), a documentary that, amongst different issues, warns of Communist ideology having contaminated our establishments, primarily the mainstream media.

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To illustrate this additional, Amazon’s “The Man In The High Castle” additionally encompasses a surprisingly poignant subplot involving the ‘Black Communist Rebellion,’ which finally ends up overthrowing their Japanese oppressors by blowing up important infrastructure.

You can’t assist however root for them, given the merciless and savage nature of the Japanese occupation as portrayed within the present, particularly towards the context of the black group’s historic wrestle for freedom.

Getting the viewers to sympathize with an overtly Communist group is profitable programming, wouldn’t you agree?

It’s nearly as if the overarching narrative foisted upon us is designed to stop folks from realizing {that a} Communist revolt (directed by white billionaires and backed by white-owned firms) would find yourself being the true catalyst for a harmful Year Zero marketing campaign.

“I imply, don’t you get it? The Imperial Japanese and the Nazis = Trump and America, due to this fact acts of terrorism are morally absolved.”

Hollywood and the mainstream media like to return off as paragons of ethical righteousness, however historical past is not going to be sort to their mixed efforts.

Now, as we proceed to observe statues fall, will we push again towards the Communist assault on our tradition, religion and historical past?Or will we stay dispassionate onlookers till they’re decreased to ash, eternally gone with the wind?

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Independent filmmaker Jon du Toit is the co-director of “Hoaxed.” You can observe him on Twitter @jondutoit, 

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