“Train to Busan Presents: Peninsula” is the “Caddyshack 2” of zombie film sequels.
Sound harsh? Perhaps, however that captures the chasm between the good unique and its successor.
Consider what we endure within the extremely anticipated follow-up:
- Paper-thin characters
- Generic dialogue
- Zombies lowered to supporting gamers in their very own franchise
- Maudlin moments a Hallmark Channel director may reject
- And can we speak about that phrase salad of a title?
There’s nothing right here that strikes a human chord like the daddy and daughter tandem from the primary movie, not to mention the burly hero and his pregnant spouse.
“Busan” gave us emotional jolts, thrills, surprises and extra, all grafted onto a easy, elegant story. The sequel occurred due to the unique’s international success, however it might’t share another excuse for its existence.
The new movie begins awkwardly, our first signal a gargantuan drop in high quality is heading our means. It’s World Building 101, and a careless development at that. We grit our tooth by a hackneyed discuss present interview, mixed with a morally tone deaf determination which units the story in movement.
“Peninsula” picks up 4 years later, and we meet a bunch of South Koreans who determine to re-enter the now-shuttered peninsula. There’s a truck stuffed with U.S. money in play, permitting them to purchase a brand new, extra hopeful future.
You see, nations are refusing to just accept South Korean immigrants after zombies overran their nation. Suddenly, folks view all Koreans with suspicion.
Push apart fears of extra micro lectures. “Peninsula” has little to say or share past its overt style recycling. It’s “Mad Max” meets “World War Z”mixed with each third zombie flick produced over the past decade.
That leaves us with Everyman soldier (Gang Dong-won), his brother in regulation (Kim Do-yoon) and an lovable household with an “solely within the motion pictures” cutesy child who’s powerful as a proverbial nail.
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One of “Busan’s” many strengths was how candy, and regular, the father-daughter bond performed out by the mayhem. Our new heroes, in distinction, are cute however forgettable.
The movie’s modest finances invades practically each set piece of consequence. The clumsy CGI takes a web page from the “World War Z” playbook, with zombies piling upon themselves to turn into much more menacing. It makes us pine for that surprisingly strong Brad Pitt romp and Hollywood’s large CGI budgets.
There isn’t a single second in “Peninsula” with the gravitas of “Busan.” Instead, we’re suffocated by dopey, only-in-horror-movies tics littering the display.
Koo Gyo-hwan performs a lackluster villain within the dispiriting sequel Train to Busan Presents: Peninsula
For lengthy stretches you’ll neglect you’re watching a zombie film. Once extra we be taught that whereas zombies are evil, crooked people are far worse. George A. Romero shared that lesson all through his his iconic zombie movies, and much better than what we see right here.
“Peninsula” director Yeon Sang-ho, having did not ship a worthy sequel, ends the movie on among the sappiest notes ever plucked throughout a horror film. The slow-motion overload might encourage extra chuckles than tears.
“Train to Busan” didn’t create a “world” or “universe.” It informed a rip-roaring story. Full cease. “Peninsula” is a silly try to increase that have, a mission that stumbles out of the gate and by no means finds its footing.
HiT or Miss: Viewers who occur upon “Peninsula” with out understanding about “Train to Busan” will dismiss it as paint-by-numbers horror. “Busan” loyalists can be outraged, as properly they need to be.
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