Hollywood in Toto

‘Wall of Mexico’ Offers Sumptuous Visuals, Vapid Arguments

The central gimmick behind “The Wall of Mexico” is a doozy.

The story focuses on a rich Mexican clan and its working-class American assist. Right away “The Wall of Mexico” grabs our consideration, and the movie’s dazzling digital camera work retains it … for some time.

We quickly notice the story’s dramatic components maintain little sway over us. And, as soon as the movie’s apparent messaging kicks in, we will’t care sufficient to agree or disagree.

Jackson Rathbone (“Twilight”) stars as Don, a employed hand on the sprawling Arista property. He tends to the grounds, fixes what wants a fixin’ and guards the artesian water nicely that’s a part of the household’s heritage.

That water is greater than cool, crisp and refreshing, however the movie teases out its true nature.

Meanwhile, the household’s younger (ish?) daughters, performed with verve by Marisol Sacramento and Carmela Zumbado, alternately beguile and repel poor Don.

The latter takes up an infinite swath of display time, and also you’ll spend it both tapping your foot in frustration or rolling your eyes. The daughters are wealthy, stunning and hopelessly entitled, like a cartoonish model of the Kardashians.

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It doesn’t take lengthy for administrators Magdalena Zyzak and Zachary Cotler to sketch out their banal nature, however the duo forces us to wallow of their decadence.

Make it cease.

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Whatever dramatic heft the movie sports activities, and it’s microscopic at instances, collapses with this unlikely trio. It’s even worse when the daughters are killing time by themselves, seemingly their sole occupation. We endure banter that’s cribbed from a uninteresting school dorm debate and watch them shoot artwork initiatives befitting their empty souls.

What does this should do with something, past a caricature of western wealth? That’s a good level to make, but it surely’s “made” after the primary 10 minutes, thanks.

The movie’s overarching theme is the haves and have nots, Hollywood’s primary obsession past Climate Change. America represents the previous, with Mexico offering the latter.


You received’t discover solutions right here, simply dialogue suggesting the established order isn’t truthful.

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Good luck sussing that out. “The Wall of Mexico” isn’t lecturing us, although, a minimum of not till its waning moments. Still, the themes nudged by the slapdash story not often illuminate.

Cinematographer Lyn Moncrief’s work is one other matter. “Mexico” is a collection of beautiful compositions, richly conceived angles and framings that take advantage of innocuous moments sparkle. Turn down the sound and you will have a superior expertise.

Crank it up once more, although, and also you’ll marvel what the filmmakers hope to convey past a imprecise however blistering assault on President Donald Trump’s signature coverage.

New Trailer and Poster for Satirical Drama THE WALL OF MEXICO #Movies

— The Movie Waffler (@themoviewaffler) September 12, 2020

The titular “Wall” lastly will get its shut up, however its look makes little sense and barely impacts the tensions rising between Don and Team Arista.

Screen veterans Esai Morales and Mariel Hemingway present up in under-written roles clearly beneath them.

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The screenplay, credited to Cotler, bounces between generic life meditations and deep inspiration. It’s irritating how deep the chasm is between the 2, however the moments of lucidity are actual and beautiful.

“The Wall of Mexico” tracks the passing of time by flashing the names of the months. The movie feels prefer it drags on even longer.

HiT or Miss: “The Wall of Mexico” leans closely on allegories to touch upon immigration and Trump’s wall, forgetting to ship a compelling story and characters alongside the best way.

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